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Archive for category film schools
It is almost as if there is a whole other language when it comes to the film and movie business. There are an awful lot of film terms and film terminology that seem designed to keep out all but the most persistent cine-phile and wannabe artist who dreams of someday directing a film themselves.
Granted, there are many industries who operate under the own arcane gobbledegook. ‘Management speak’ is often touted as an example of language gone loopy. Movies, however, are a very public affair and if you have the slightest interest in getting under that glossy and glamorous sheen to see how they are really made, then you will soon come across some very mystical incantations which will befuddle your brain and murk your mind. Reading like something out of “The Lord of the Rings” are words, phrases, job titles and techniques from “Gaffers to gobos, dollies to doughnuts, apple-boxes and Auteurs.” Were you aware that if you are at all interested in looking through the camera then, one day, you may have to put your face against a “teddy bear’s asshole”? I’ll leave you to find that one out for yourself.
Anyone getting to grips with film terms and movie terminology should be rewarded with a certificate of achievement and a badge. If you have ambitions to study film technique, make films yourself or just appreciate the art and craft of movie making, then at some point you will begin to encounter these obscure and esoteric nuggets of mouthery that are found nowhere else. They are mysterious and strange and, like some ancient Masonic code, designed to act as a barrier to those who are merely curious and of the fair-weather variety.
To the committed seeker though, they represent the first layer of initiation into the movie world. They are the first test of worthiness which you must conquer before those who have travelled before you will even consider looking down upon you and letting you fetch them a cup of coffee.
So you want to be a film maker and/or a film director? How does one get into movie making then? The film business is just that….a business. Well that should be pretty obvious and just like Banking or Law you don’t walk straight in.
What sets film making apart though is - it is a creative industry which recognises talent when it sees it. This means that if you are working alone doing something you love – animations, short films, independent feature films on a low budget - there is always the possibility that your work may be seen by the right people. If this happens then you may find yourself propelled into an opportunity that may have taken much longer to arrive in the normal scheme of things. If this happens to you - fantastic, make the best of it.
Is it that easy to get you or your film noticed?
But wait a minute here. This is a long shot. If you have been interested in movie making for a while or been to a few festivals or chatted to other film-makers, then you will know that there are an awful lot of people who are convinced that they are the next big thing. How many times have you heard the following?
- My movie is really different
- It’s never been done before.
- I’ve got a great script!
- We got a great actor for the main part so it will be a success.
I’m all for success. It’s good when people succeed. But the creative medium of film and video has more than its share of overly confident people. Some might say delusional. When you consider the amount of individuals graduating from various film schools and film courses around the world and the amount of independents working to achieve their dreams then that is quite a number in terms of competition for attention.
The cream of the crop.
The cream will rise to the top though. So if you do have a project that is good, don’t be afraid to get it out there. This is particularly true if you have a good script. A lot of first time screenwriters have fears about losing their copyright or having their idea stolen but you really can’t let this stand in the way of letting people read it.
Paths to being a film-maker.
If you are starting out and are interested in the process of film making then how do you go about learning what you need to know? Well there are several paths open to you to begin with:
- Read as much as you can on the subjects that interest you – acting, drama, animation, producing, directing – whatever it is there really is no excuse to not get started with this one. You can read biographies, technical manuals, American Cinematographer Magazine and countless others.
- Join on-line groups and forums based on film making – there are many of these – CML is a good one for everything cinematography.
- Make a short film and submit it to competitions and festivals – use any image device or camera you can find, such as the “Flip” or a camcorder and shoot something – use your friends and family. Once you’ve done it, get it out to a few festivals. If it doesn’t do much the first time, try again. Enter into a film school or media course – From short four week courses to weekends to longer two year courses, there are a lot of options to choose from. The best courses have a highly practical element and this is what you need – hands on time. No-one in the business is interested in a certificate – they want to see what you’ve done.
- Apply for work in a junior position within a production company or related business – This is the runner and personal assistant route. You will work like a dog for a while until you’ve proved yourself to your employers. If you have worked hard and are still there after a year and haven’t been given an opportunity – get out, they’re taking the piss, and you can do better.
Get started and keep moving.
You’ll find out which one of these is for you given time. If you choose the wrong path don’t worry. The most important thing is to keep going. It’s all about momentum and building your experience. Don’t stop moving forward because before you know it you’ve been doing it for a couple of years and you’ve made two, three or four films and have more experience than you realise.
Are you thinking about going to film school? If you are considering whether or not to go to one of the ever-increasing number of film schools out there , then there are several factors to consider and decide whether it is the right choice for you.
Firstly, is it a practical film school?
A practical element within your course will enable you to experience all the areas of production and assess your strengths and weaknesses as you go along. Most good ’film’ schools consist of term length projects where all the students rotate roles on a short film production in order to build up that valuable experience of the different creative and technical areas.
In general a more Media type course will involve more theory based class work which examines aspects of film plus television advertising and radio. Very little practical experience will be gained from a course such as this.
At the end of a practical course you will emerge with a show-reel of your work which in the real world is the only thing that counts when looking for a job. Prospective employers want to see evidence of talent and practical skill not a piece of paper with a media degree written on it.
Do you know what you want to do?
If you have a specific idea of the area you want to learn about then a film school is a good choice. You can choose to specialise, in say, directing, cinematography or editing and focus all your energy there.
How confident are you?
You may have a real passion for all things movie but yet you’re not quite sure of your ability, knowledge personal identity and so on. This is completely normal of course because confidence comes with experience and know-how. Here, again, film school would be a good choice as it will allow you to build your confidence through the class assignments, without the fear of being fired for being incompetent!
Are you good at making friends?
Film production is all about teamwork. That means learning to listen and incorporate the ideas of other people and also having to sell your own idea and vision when you need other people to help you. Developing the essential skill of artistic compromise is necessary and will stand you in god stead for the future. Plus you will be meeting all the other film-makers of tomorrow, it would be better to make sure they become your friends rather than your enemies.
Is it right for you?
Film schools are found in countries all over the world. Sometimes there are as many as several good schools in one city. As well as this there are the numerous college programs, university degrees and smaller classes ran outside those normal institutions. Now this is quite a lot of potential film and televisions students graduating and leaving there respective courses each year, each term and each semester. That sounds like a lot of competition. However, if you are good you will more than likely rise to the top. If you’re not as good you can still make a nice living doing what you love with all the skills you’ve learnt. Just remember, if you would rather go home at 7pm rather than stay till midnight and help paint the set for tomorrow morning people may question your commitment and reliability. Like everything else, you will get out of film school what you put into it.
To summarise the benefits of Film schools:
- Develops confidence, practical knowledge and experience across the different disciplines
- Allow you to learn and express your ideas in a safe, supportive environment.
- Produces a foundation show-reel of your work so far.
- Learn teamwork and the art of compromise.
- Build a network of people at the same level as you, who will go to work in the industry.