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Archive for category filmmaking
Make a short film
Posted by andrew in filmmaking on May 17th, 2010
If you want to make a short film there are several things you will need to do and have depending upon how ambitious you want to be. Firstly, you will need an idea of what to shoot. This could be a sketch that you have written that is funny, quirky or a simple punchline with a set-up. Or it could be more complex than that – perhaps a one minute drama or thriller. You might be thinking of a longer piece. It can be anything; the point is you need to be clear about what it is. if you don’t know exactly what you are trying to do you will end up wasting time with the camera and coming away with nothing usable. If you want to make a short film, rule number one is define what you are doing! You can call this having a clear goal, a clear vision or whatever you want just be sure.
An essential part of this being sure then is to totally flesh out your sketch, minute long trailer or longer project. Write the script! Write it out and write it again to improve it. The process of redrafting is simply going over your material until it is the best it can be. Professional writers do this all the time and directors do it all the time. Sometimes they may be pressured by outside elements like studios who make them start filming before things are as good as they can be but that’s the reality of the business. For you starting out or following your own projects without backing, the script or story is all you have so you better make it a good one.
Jack Nicholson – On Film Directing
Posted by andrew in directing, filmmaking on July 8th, 2009
“I tried to utilize whatever professionalism I found myself surrounded by and tried to get people who weren’t going to be frightened. On ‘Drive, He Said’, I had an organised crew and the organized crews that I’ve worked with are really trying to imitate the other crews that I used to work with – the so called disorganized crews. That really means that they had less people working. Every crew is disorganized to a certain degree.
Every movie has a totally different set of circumstances and problems, you know: how do you get the doughnuts from the Grand Canyon Motel down into the gorge and keep the generator running at the same time? It was very much a learning experience. My theory on it was that I didn’t know anything about it to start. I related to somebody who was a professional in their job. I would say, “I don’t really know anything about this, so If I go overboard or if I start bullshitting you in some way, just let me know. I won’t be nervous about it. Just tell me, you know, and I would like to learn because it’s not the only movie I’m going to do.” They were always helpful.
In other words, if you did nothing, the movie would get shot. If you want to sleep all day, the technicians would go on. They have their own style. It’s really how much you affect their style as opposed to vice versa.”
From “Directing The Film – Film Directors on Their Art“,
Eric Sherman, 1976, Acrobat books, Los Angeles.