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Film terms: A
Above the line
In the budget above the line refers to the costs of the ‘talent’ : the producer, writer, director and actors.
A filter allowing only certain wavelengths of light to pass through it.
A 1kw Fresnel.
Automatic Dialogue Replacement.
Taking an original story and translating it into a new medium. For example, novel to screenplay.
A shot taken from the air by from helicopter or a plane or remote controlled devices.
American Film Institute.
The existing light level created through natural sources, reflections etc.
Amperage capacity of connections and cables.
Unit of current.
Measurement of current.
Special anamorphic lenses squeeze the shot footage onto the the film frame, this picture is then unsqueezed through a similar lens on the projector to produce a very wide “widescreen” image. The ratio for anamorphic pictures is 2.40:1
The force acting against the protagonist, our hero.
A spray for surfaces that produce too much reflection
The lens opening which allows passing light to reach the recording medium. The opening in the film gate or aperture plate that determines the precise area of exposure of the film frame.
A general purpose box coming in four sizes: full, half, quarter, pancake, used on set. For example, an actor will stand on it to raise them to a particular height for a shot.
Carbon arc discharge source.
Makers of traditional 16mm and 35mm cameras.
The recording of the sound of a location.
One creative mind controlling the film, creating their vision. Egomaniac? Dictator? Little Hitler? Haha never.
American Standard Association speed rating for film. Speed being the film’s sensitivity or how quickly the film reacts to light, the higher the speed the quicker the reaction time and the less light you need. High ASA numbers correlate with high speed film and vice versa.
American Society of Cinematographers. Publisher of American Cinematographer Magazine and The American Cinematographer Manual.
Magic book of knowledge for D.P’s and Camera crew with info on lenses, depth of field table, filters and much more. Pocket size…just.
When footage is first put together to form a rough sequence, a ‘first assembly’.
An emotional letdown at end of a film. Not satisfying an audiences expectations.
The ratio between the height and the width of any viewing system. Common ratios are 1.33:1 for television. 1.66:1 European standard theatrical and High-def t.v. 2.36:1 anamorphic 35mm film.
Zeiss prime lens attachment, a wide angle adapter, which increases the field of view of wide angle lenses.
Assistant camera person.
Naturally existing light within a given space.
Surreal or experimental cinema. Ooo.